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The Drowning Of A Goldfish Page 11
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Page 11
I love Manka. I admire her. Her heart is as large as her body. She mocks the fact that my father was a banker. She accepts me as I am: skinny, indifferently dressed, hair unkempt, a book in my arms instead of a baby.
I have enjoyed eating at her home. The kitchen is large, warm and sparkling clean. We sit, one pressed against the other, at the huge table; spoons in hand, our heads bowed over the plates.
Manka brings a bubbling pot of soup and serves each of us generously. Before we are permitted to leave, every last drop of her nourishing food has to be consumed. Stuffed, we are well-prepared for the great torpor of the night.
But I realize that I could never be like Manka and she could never be like me.
“To make a world it takes all sorts,” she says kindly.
So be it.
In the evening, my classes finished, I return to the apartment. It is unrecognizable: the windows sparkle, reflecting the light of a naked bulb that someone has wired into the ceiling, the floor is highly polished, the bathtub and the sink are gleaming like the stars in the firmamant, the water tank is fixed.
Everything is flawless: Rudolf needn’t be afraid of moving from the cancer pavilion.
Only the furniture is still missing. It comes, piece by piece, offered by my friends. Everybody has something to give.
The apartment is pleasant. A nice, funny, welcoming fleamarket. The furniture does not intimidate me; one can paint it, adapt, cut it off, sand it, do as one likes.
In my room, I paint everything orange, except the white washed walls. Again I have a room all to myself, like when I was a child. Again I have a life that is completely mine.
The apartment was not a trap—how could it be, coming from Vladimír? It is a home, offered by a helping hand.
Rudolf has his own room which he can arrange in his own way. If he does not want my friends’ furniture, he has enough money to buy his own, all “worthy of a doctor.”
All has ended well; just like a fairy tale.
Except for Iris.
Iris who burns within me like an open wound.
I lock up my memory.
Once more I throw Iris out of my life.
There is no cruelty against the dead.
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This is a work of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
Copyright © 1990 by Lidmila Sováková
ISBN: 978-1-5040-2850-9
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